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The Artists

Davy Brown

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Dusk, Ailsa Craig
Dusk, Ailsa Craig
Oil on Board
Arran from Kintyre
Arran from Kintyre

Turnberry Lighthouse
Turnberry Lighthouse

East Coast Harbour At Dusk
East Coast Harbour At Dusk

Sunset over Ailsa Craig
Sunset over Ailsa Craig

The Orchard
The Orchard

Bass Rock
Bass Rock

Midsummer Sunset
Midsummer Sunset

Holy Isle from Whiting Bay
Holy Isle from Whiting Bay

Evening Sky from Skibo
Evening Sky from Skibo

Morning Sunburst over the Wetlands
Morning Sunburst over the Wetlands

Hot Sky over Arran
Hot Sky over Arran

Rocky Beach, Solway
Rocky Beach, Solway

Solway Sunset
Solway Sunset

The Bass Rock
The Bass Rock

Sunset over the Firth
Sunset over the Firth

Clouds over Arran
Clouds over Arran

Ailsa Craig
Ailsa Craig

Galloway Cottage with Gorse
Galloway Cottage with Gorse

East Coast Harbour Town
East Coast Harbour Town

Dusk Clouds, Ailsa Craig
Dusk Clouds, Ailsa Craig

Slipway, Porthleven
Slipway, Porthleven

Galloway Harbour
Galloway Harbour

The Orchard
The Orchard

Hayfield in the Dordogne
Hayfield in the Dordogne

Sunset, Craigleith
Sunset, Craigleith

Arran from Bute
Arran from Bute

Towards Fife
Towards Fife

Dusk over the Salmon Nets
Dusk over the Salmon Nets

Sunset Clouds
Sunset Clouds

Rocky Shoreline
Rocky Shoreline

















Davy Brown was born in Kilmarnock in 1950. After studying at the Glasgow School of Art, Davy then spent two years teaching in Ayrshire, before a scholarship took him to the slums of Chicago to paint large outdoor murals. He then returned to Scotland to resume his career and became Head of Art & Design at the Douglas-Edwart High School.

During the 80\'s & 90\'s Davy became passionately concerned about threats to the environment, manifest in issues such as acid rain, erosion, forestry encroachment, multi-national test-boring and the Chernobyl disaster which had direct consequences on the sheep farmers of Galloway, the area that Davy painted. In 1996 a near fatal heart attack encouraged him to work towards giving up teaching to paint full time, which he achieved in 2002.

Since then, Davy describes his work as being \"less angst-ridden and more concerned with the changing seasons and the constant variations of light-effects on the South West tip of Scotland. Here, the light is similar in its intensity to that of Cornwall or Pembrokeshire. The same viewpoint can yield an infinite number of variations such as the sun, clouds, rain and wind making their constant shifts over land-forms and the coast-lines. The land here is largely forgotten, and provides me with a constant and infinite source of visual material which I never tire of; it is one of the last areas of wilderness in Britain.\"

The artist has exhibited widely both in Scotland and England and his work can be found in many public and corporate collections such as the University of York and the British Linen Bank.

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